即刻觀影
劇情賞析
編輯推薦
我朋友是殺人犯
池承炫,鄭惠成,奇周峯,金明國(guó),樸努植在為女友報(bào)仇后逃亡的宋哲，假扮成一位患有癡呆癥的老婦人的兒子，躲在一個(gè)農(nóng)村小鎮(zhèn)。當(dāng)鎮(zhèn)上的人擁抱他時(shí)，他開(kāi)始感到一種歸屬感——直到一個(gè)大壩項(xiàng)目帶來(lái)了一波又一波的抗議者和暴力執(zhí)法者。距離他的犯罪時(shí)效僅剩一天，宋哲必須在逃離城鎮(zhèn)或站起來(lái)保護(hù)那些接受他的人之間做出選擇。
金錢(qián)太保
丹尼·德維托,格利高里·派克,佩內(nèi)洛普·安·米勒專門(mén)收購(gòu)他人公司，再分批出售其產(chǎn)業(yè)從中獲取暴利的萊瑞，向來(lái)以眼明手快、心狠手辣著稱，被許多人視為是華爾街上的海盜。但萊瑞始終不以為然，他認(rèn)為這世上最有魅力的事物就是錢(qián)，尤其從別人手中搶得的錢(qián)。但這次當(dāng)萊瑞看上一家電纜公司時(shí)，卻遇到了對(duì)手；對(duì)方請(qǐng)了一位聰明干練又美麗的女律師凱蒂萊對(duì)付他。兩人針?shù)h相對(duì)、旗鼓相當(dāng)，再斗智數(shù)回之后，竟迸出了愛(ài)情的火花。但在愛(ài)情和金錢(qián)當(dāng)中，萊瑞要如何抉擇呢？
游戲?qū)W院
Josh Blaylock,Johanna Braddy,黃谷悅電影講述的是一個(gè)電腦游戲愛(ài)好者玩電腦游戲的故事. 在不遠(yuǎn)的將來(lái)，你已經(jīng)死去，有可能是你的孩子們也死了，你的子孫們?cè)谕骐娮佑螒颉槭裁矗恳驗(yàn)槟莻€(gè)時(shí)候職業(yè)游戲競(jìng)技是地球上最火熱的一項(xiàng)運(yùn)動(dòng)。在全世界范圍內(nèi)，有上百萬(wàn)的玩家參與到格斗類游戲、RTS、FPS及更多種游戲的格斗中來(lái)。戰(zhàn)勝的玩家有著豐厚的戰(zhàn)利品：榮譽(yù)、集團(tuán)合同和數(shù)以百萬(wàn)美金的代言。 年輕游戲玩家中的高手們將被招募到精英寄宿學(xué)校來(lái)強(qiáng)化他們的技能，進(jìn)而高手中的高手有幸進(jìn)入VGHS（Video Game High School）。《游戲?qū)W院（VGHS）》是一個(gè)動(dòng)作喜劇，共九章，每一張大概有10分鐘左右，故事的主要元素：友情，初戀及玩家的精準(zhǔn)射擊。 《游戲?qū)W院》整個(gè)故事以一名叫做Brian的年輕FPS玩家展開(kāi)，Brian生活在一個(gè)城鎮(zhèn)中。Brian在一次偶然的機(jī)會(huì)擊敗了VGHS資深玩家“The Law”，這也是Brian命運(yùn)轉(zhuǎn)折的起點(diǎn)（第一章）。隨后Brian名聲鵲起，被邀請(qǐng)到了極具盛名的VGHS。在那里Brian要與世界上最具天賦的玩家們交手，他的玩藝也受到了極大的挑戰(zhàn)。 在其日后的生涯中，Brian要結(jié)交一群“雞朋狗友”，戀上FPS爆頭高手Jenny Matrix，當(dāng)然也會(huì)面臨強(qiáng)大的敵人，也就是“The Law”，高傲的The Law在上次交手?jǐn)∠玛噥?lái)之后心有不甘，發(fā)誓要徹底打敗Brian。 Brian能否在VGHS實(shí)現(xiàn)他的夢(mèng)想？讓我們拭目以待。
大衛(wèi)2025
菲爾·威肯 ,阿西姆·喬杜里,米克·溫格特,阿什利·博徹,馬克·惠頓,布倫特·穆卡伊,Brandon Engman,Kamran Nikhad,Reina Ozbay,Will de Renzy-Martin,亞當(dāng)·邁克爾·戈?duì)柕?亞當(dāng)·梅爾,Lauren Daigle,Mark Jacobson,凱蒂·伯恩斯坦,Brian Stivale,Sloan Muldown,馬克·西爾弗曼,Mike Ciporkin,Dorah Fine,沙哈爾·塔沃赫從他母親的歌聲到他與歌利亞的沖突，大衛(wèi)從卑微的牧羊人到受膏的國(guó)王的旅程考驗(yàn)了信仰、勇氣和愛(ài)的極限，最終在一場(chǎng)爭(zhēng)奪王國(guó)靈魂的戰(zhàn)斗中達(dá)到高潮。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
亭亭鳳凰臺(tái)
張秋歌,陳友旺,董濤,王瀚邦,周顯欣,梁琛,王曦瑤該片以詩(shī)圣杜甫創(chuàng)作鳳凰臺(tái)為引，講述了三位甘肅成縣人士回鄉(xiāng)參加鄉(xiāng)賢大會(huì)時(shí)，揭開(kāi)了一段深埋于記憶長(zhǎng)河的往事。