癡漢電車下著検札

女士優(yōu)先

達米安（薩莎·拜倫·科恩飾）似乎擁有一切：金錢、權(quán)力，以及源源不斷的艷遇。正當他準備晉升為一家頂尖廣告公司的首席執(zhí)行官時，一場噩夢讓他的生活徹底顛覆：他醒來發(fā)現(xiàn)自己身處一個由女性主宰的平行世界。曾經(jīng)叱咤風云的他，如今卻發(fā)現(xiàn)自己處境艱難，不得不與強勢無畏的艾莉克斯（裴淳華飾）正面交鋒。規(guī)則改變，艾莉克斯如日中天，兩人展開了一場大膽的較量。這部輕松詼諧、諷刺意味十足的喜劇講述當性別角色被徹底顛覆時會發(fā)生什么。

毛骨悚然撞鬼經(jīng) 2022夏季特別篇

愛麗絲和市長

　　里昂市長保羅感到很不安。在從政三十年后他發(fā)覺自己已沒有什么新思維，感到非常空虛。他的團隊決定聘請愛麗絲，一位才華橫溢的哲學家來為他解決這問題。愛麗絲與市長因而展開一連串的對話，這讓他們經(jīng)常接觸，并且動搖了他們的信念。問題也逐漸出現(xiàn)：政治和反思是否能夠兼容？

鼴鼠之歌完結(jié)篇

　　Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.　　Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.　　At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.