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倩女幽魂3：道道道
梁朝偉,張學(xué)友,王祖賢,利智,劉兆銘,劉洵,劉玉婷,黃光亮,李子雄小和尚十方（梁朝偉 飾）隨師父白云（劉洵 飾）護(hù)送金佛去五臺山。路上偶遇痞子道士燕赤霞（張學(xué)友 飾）殺死強盜無數(shù)，三人結(jié)下梁子。十方與師父夜宿鬼寺蘭若寺。師父外出打探時，十方遭遇女鬼小卓（王祖賢 飾）。十方不受其誘惑，二人爭斗，十方念咒將其制服，但仍好心將其放走。十方將金佛不慎丟失，找到后已破成兩段，樹妖姥姥趁機發(fā)難，白云被活捉。十方在小卓幫助下逃出，外出求人修補金佛卻不幸被騙。幸得再遇小道士燕亦霞，得其相助。小卓死敵小蝶（利智 飾）出擊勾引二人不成，惱怒之際識破小卓與十方的計劃，引姥姥到三人藏匿之處。十方在小卓再次幫助下逃出，并救得師父，小卓卻被姥姥抓回折磨。十方與燕赤霞掘出小卓骨灰逃出蘭若寺，但姥姥已布下天羅地網(wǎng)，眾人危在旦夕，最后關(guān)頭，十方化成佛祖金身，對付樹妖……
非傳統(tǒng)浪漫關(guān)系
朱顏曼滋,任彬,趙小棠,王天放,于謹(jǐn)維,王勁松,金廣發(fā),王勉,顏安,趙夕汐,孫丞瀟 ,張帆,錢迪迪,汪曲攸,鄧飛,于小彬,丁文博,牛犇,葛兆美情感博主祝君好（朱顏曼滋 飾）與在民政局工作的龔璽（任彬 飾），兩個本該最懂“愛”的人，卻在520這天領(lǐng)了離婚證。面對毀不掉的婚紗照和分不清的牽絆，兩人一拍即合，決定開啟一段“非傳統(tǒng)”的高效關(guān)系——互給對方介紹對象！然而相親局逐漸失控，龔璽重逢了自己曾經(jīng)的相親對象紀(jì)小舒（趙小棠 飾），祝君好則遇上了前任向涵（王天放 飾），還有“八離世家”的霸總和“懂王”附體的弟弟。這對“離婚搭子”在互坑與互助之間，開始重新審視自己的親密關(guān)系，也意外踏上了一段關(guān)于“愛”的二次探索。
人類清除計劃2：無政府狀態(tài)
弗蘭克·格里羅,卡門·艾喬戈,扎克·吉爾福德,基拉·桑切斯,賈斯蒂娜·馬查多,約翰·比斯利,諾爾·古格雷米,卡斯圖羅·格雷拉,邁克爾·肯尼斯·威廉姆斯2023年，美國新政府所推行的“人類清除計劃”迎來了第六個年頭。劍走偏鋒的極端政策，旨在抑制持續(xù)上升的失業(yè)率和犯罪率，在此期間卻也有越來越多的無辜之人遇害，而富人們則斟好杯中酒，腦滿腸肥欣賞甚至以看似高貴優(yōu)雅的姿態(tài)參與一年一度的屠殺狂歡。在大屠殺即將開始之際，面臨分手的情侶謝恩（Zach Gilford 飾）和莉茲（Kiele Sanchez 飾）的車在路上拋錨，他們慌亂不安地尋找藏身之地。剛剛失去最重要親人的伊娃（Carmen Ejogo 飾）及其女兒卡莉（Zo? Soul 飾）躲在家中亦難免厄運臨頭，關(guān)鍵時刻母女被逡巡在城市巷尾的中士（弗蘭克?格里羅 Frank Grillo 飾）救下，與此同時謝恩和莉茲也陰差陽錯搭上了中士的車。 新仇舊恨以及對世界的各種憤懣不滿，在這個夜晚集中爆發(fā)，脆弱的生命面臨最慘烈的考驗……
暗色天堂
張學(xué)友,林嘉欣,泰臣,卓韻芝,羅蘭,蘇志威,韋羅莎,衛(wèi)詩雅,黃秋生,王喜杜天明（張學(xué)友 飾）是國際慈善機構(gòu)香港分部的總干事，同時也是一位非常虔誠的基督教徒，憑借著出色的口才，杜天明經(jīng)常在教堂里傳教，深受信徒們的喜愛和信賴，其社會地位可以用德高望重來形容。 某日，機構(gòu)里來了一位名叫蜜雪兒（林嘉欣 飾）的女助理，蜜雪兒被杜天明所散發(fā)出的成熟氣質(zhì)深深的吸引了，兩人之間的距離越來越近，但礙于身份和社會地位，杜天明并不敢對蜜雪兒有任何的非分之想。杜天明即將被調(diào)到英國，出任亞洲區(qū)的總干事一職，臨行前，他決定和蜜雪兒來一場“最后的晚餐”，哪知道當(dāng)晚氣氛實在太好，在車?yán)铮盘烀鹘K究是沒有抵擋得了人性的誘惑，做出了之后改變了他一生的決定。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
舞會戰(zhàn)士
Brenda Song,Shin Koyamada,Susan Chuang故事中的女主角溫迪（布蘭達(dá)·宋 Brenda Song 飾）是個受歡迎的華裔高中女生，在學(xué)校中，她有兩個親密的姊妹和一個“接近”完美但過于自戀的男友。溫迪最大的愿望就是能在舞會上當(dāng)選皇后，因此她和從小就同校的杰西卡不停想盡各種怪招來拉取選票，努力爭取同學(xué)們的支持。然而，和許多在美國長大的華裔孩子一樣，溫迪對中國文化幾乎一無所知，直到一個從中國深處而來的奇怪僧侶沈的出現(xiàn)，徹底改變了她的生活。與此同時，一股邪惡的力量正從博物館的一只中國雕刻箱子中悄然崛起，威脅著校園的安寧。沈的使命是犧牲自己的生命來保護(hù)當(dāng)代的“楊家將”，而溫迪正是繼承了曾祖母力量的戰(zhàn)士。起初，沈的奇異行為讓溫迪感到驚恐，但隨著時間的推移，她逐漸意識到邪惡勢力正在侵襲她的校園。 為了抵擋邪惡，并實現(xiàn)當(dāng)上舞會皇后的夢想，溫迪謊稱沈是她從中國來的遠(yuǎn)房表哥，接受了他的多項訓(xùn)練。在與沈的相處中，溫迪發(fā)現(xiàn)他是一個愿意為她付出真心的人，逐漸開始反思與男友的關(guān)系，坦誠自己并不愛他，只是因為大家都有而自己沒有才感到奇怪。然而，舞會當(dāng)天，溫迪得知沈正在孤身與邪惡力量搏斗，心中充滿了焦慮與不安。雖然她已經(jīng)當(dāng)選了舞會的皇后，這對她來說是人生中最重要的一晚，但她知道，真正的勇氣是關(guān)心那些為自己付出的人。于是，溫迪決心放下舞會的榮耀，奔向沈的身邊，準(zhǔn)備與他共同面對即將來臨的挑戰(zhàn)。