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純真時(shí)刻
米爾哈迪·塔耶比,莫森·馬克馬爾巴夫,Ali Bakhsi,阿馬爾·塔夫蒂·德赫甘,馬爾亞姆·穆罕默德米尼,Mahram Zeinal Zadeh,漢娜·瑪克瑪爾巴夫導(dǎo)演：馬克馬巴夫（伊朗） 電影的神奇在于能夠重建時(shí)間，尤如生命可以重來。 伊朗導(dǎo)演馬克馬巴夫年輕時(shí)是個(gè)激進(jìn)分子，曾因襲擊并刺傷一個(gè)警察而被捕入獄，出獄之后，終放棄了政治理想，而把電影當(dāng)成了信仰，就在他拍《電影萬歲》的時(shí)候，竟然發(fā)現(xiàn)當(dāng)年他襲擊的警察也在一群試鏡者當(dāng)中。后來，他就以他們二人的故事拍了這部《無知時(shí)刻》。 導(dǎo)演試圖重建當(dāng)年自己制造的襲擊事件，并且邀請(qǐng)了另一位當(dāng)事人--那位警察一起來完成這次重建：找來二位小演員，分別扮演年輕時(shí)的馬克馬巴夫和警察，馬克馬巴夫和警察分別去跟自己的扮演者講述當(dāng)年自己的行為始末，然后拍攝行刺過程。當(dāng)然導(dǎo)演也就不只是馬克馬巴夫，還有那個(gè)警察。事實(shí)上，他也的確一直在重建過程中表達(dá)他的愿望和理想，開始是教他的扮演者給過來問他時(shí)間的女孩送盆花，后來又教他朝她開槍，而這二樣，都是他當(dāng)年沒有做的。 還有一位人物，是馬克馬巴夫的表妹，馬克馬巴夫當(dāng)年行刺的時(shí)候，以她去問那位警察時(shí)間做掩護(hù)，而警察卻始終不知道這情況，把當(dāng)年那個(gè)總是來問他幾點(diǎn)的女孩當(dāng)作心上人念念不忘，直到拍攝時(shí)他看到一個(gè)小女孩演員和馬克馬巴夫的扮演者一同走向自己的扮演者的時(shí)候才恍然大悟。 他感到被欺騙和傷害之后，自行篡改了歷史：他告訴自己的扮演者，不論是誰靠近和他說話，你就向她開槍，包括那位女孩。他也企圖在對(duì)過去的重建中表達(dá)他受傷害的憤怒，如果生命可以重來！ 在重建的企圖下，導(dǎo)演的卻是一出巧妙的虛構(gòu)，而正是這一虛構(gòu)，把過去的故事轉(zhuǎn)換成了現(xiàn)在時(shí)態(tài)，也使得導(dǎo)演對(duì)于過去的反思顯得更有誠意。 紀(jì)錄片樣的拍攝手法，質(zhì)樸而坦誠。電影開始的時(shí)候，馬克馬巴夫在試鏡找二個(gè)17歲的演員扮演他自己和那位警察，扮演他的那位說他的理想是拯救人類；而警察的扮演者卻一副老實(shí)巴交的樣子，警察十分不滿，拒絕出演，說導(dǎo)演如果改變主意就到哪里哪里去找他，憤然而去，攝影師問導(dǎo)演要不要把他追回來，而導(dǎo)演說，這個(gè)角色對(duì)他很重要，他會(huì)回來的。演員如同在生活般演戲，導(dǎo)演也如同生活般在拍電影：看，這是我的生活，也就是我的電影。 當(dāng)警察在教他的扮演者應(yīng)該怎么送上盆花的時(shí)候，馬克馬巴夫表妹的扮演者剛好路過，問他幾點(diǎn)。躍然而出電影穿越時(shí)間的神奇，仿佛渾然天成的回文詩。 二位導(dǎo)演的企圖最后都被幾個(gè)小演員給顛覆了：激進(jìn)分子遞上的是大餅，警察掏出的是盆花，代替了匕首和手槍。
超級(jí)倉鼠3：松鼠奇謀
A little girl has secret superpowers but can’t use them when a highway project is threatening the nearby forest. Desperate to save it, she invents an elaborate lie about an endangered flying squirrel inhabiting the woods.
七煞
鄧偉豪,元彬,元華,羅軍七煞是紫微斗數(shù)中14顆主星之一。七煞是一顆堅(jiān)毅勇敢的星曜，象征「威勇」，化氣為「將星」，主「肅殺」。具有運(yùn)用帷幄的能力，擁有理智而獨(dú)立、沖鋒陷陣、冒險(xiǎn)犯難的特性。本片為邵氏早期經(jīng)典武俠改編作品。聞風(fēng)喪膽的七煞會(huì)，再次集結(jié)各個(gè)分壇主，江湖將掀起血雨腥風(fēng)......
母性本色
Claire Weller Price,Riley Channells,Kate Logan13歲的米西?泰勒與癮君子母親安妮特相依為命地生活著，當(dāng)安妮特的男友特倫特出獄后，他也接著搬進(jìn)了這個(gè)家。特倫特將罪惡的目光瞄準(zhǔn)了米西，由此引發(fā)了一系列可怕而殘酷的連鎖事件。
拼命三郎
譚耀文,林家熙,鄭浩南,姚樂怡不再風(fēng)光的江湖老大石三郎，重遇多年沒見的兒子后，意外地東山再起。事業(yè)與親情逐漸回來之際，揭發(fā)一個(gè)埋藏已久的秘密。面對(duì)困局，三郎決定做一次真正的父親，成就新的拼命三郎。
異變者
綾野剛,成田凌,岸井雪乃,石井杏奈,內(nèi)野圣陽一位無家可歸的失憶男子接受一場實(shí)驗(yàn)性醫(yī)學(xué)手術(shù)，術(shù)后醒來發(fā)現(xiàn)自己獲得新的能力，可以看穿人們內(nèi)心最深處的傷痛，真實(shí)和幻象之間的界線也因而模糊難辨。
鬼屋之影
文森特·普萊斯,克里斯托弗·李,彼得·庫欣A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge. What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.