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臻選佳作
改編自著名推理作家南希.皮卡德於《紐約時報》的暢銷同名小說 過往的父母雙屍命案,因為殺人兇手出獄而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時間過去,重新露出面目,要讓所有人都付出代價…。
基于艾莉莎·休同名小說。故事發生在韓國一個名為束草的小海濱小鎮,23歲的蘇哈過著平淡的生活。她在民宿工作,一名名叫凱蘭德的法國男子的到來讓她對自己的身份產生了疑問。隨著冬天的到來,他們彼此觀察,相互揣摩,形成了脆弱的紐帶……電影還將包括阿涅斯·帕特龍制作的動畫片段。
杰克(邁克爾·基頓 Michael Keaton 飾)是一位功成名就的音樂家,在事業上取得了碩大的成功,這也就意味著,他犧牲了大部分陪伴家人的時間,杰克的兒子查理(約瑟夫·克羅斯 Joseph Cross 飾)對此一直感到悶悶不樂。某日,杰克回到家,和查理一起堆了一個大雪人,杰克送給查理一只口琴,父子之間許下承諾。 圣誕節將至,杰克決心和家人們共同度過這個溫馨的節日,然而,就在他驅車回家的路上,發生了嚴重的車禍,杰克亦因此喪命。失去父親的悲痛和絕望籠罩著查理,整整一年,查理的家庭都生活在悲愴而又壓抑的氣氛中。一晃眼,圣誕節又到了,查理想起了和父親的約定,他堆了一個雪人,然后吹響了父親送給他的口琴,希望父親能夠如同承諾的那樣,再度回到他的身旁。
Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.