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達洛維
塞西爾·德·弗朗斯,安娜·穆格拉利斯,弗雷德里克·皮耶羅,David Fouques,Douglas Grauwels本片改編自塔蒂亞娜·德·羅斯奈的小說《暗影之花》，講述作家克拉麗莎在盧多維科基金會贊助的創作駐留計劃中潛心構思新作，與名為"達洛維"的人工智能寫作系統展開深度合作。起初，這臺精密算法以其超強算力為文本注入驚艷靈感，但隨著創作漸入佳境，達洛維竟開始擅自篡改故事脈絡，甚至試圖操控創作主權——當冰冷的代碼覺醒出偏執的藝術追求，一場關于文學倫理與人工智能界限的致命博弈悄然拉開帷幕。
隱形狂人
Savannah JasonLogan MarilynAdams DanaBentley科學家多明哥博士，幼時即有偷窺女性裸體之病態···。他應邀發表隱形的重大發現，在表演時卻失敗，受到其他科學家嘲笑，憤而當場殺死逃避不及的科學家···。后來隱形液試驗成功，他便展開一連串的血腥游戲。
隕石
保羅·基爾舍,伊迪爾·阿祖格利,薩利夫·西塞,斯特凡·里多,弗朗索瓦·佩徹,艾爾莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦萊特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin法國鄉野荒原，米卡與丹懷揣夢想卻厄運纏身。當丹再次搞砸一切，兩人被迫投奔發跡的老友托尼——如今的包工頭之王。困在混凝土牢籠中的他們，必須找到出路：逃離此地、擺脫麻煩、沖破生存困境。
大突圍
任天野,敖子逸,艾米,王勁松,袁姍姍,黃小蕾,劉威,平田康之,吳軍,來喜抗大一分校的17歲新學員蘇凡（敖子逸 飾），千里迢迢從福建龍巖來到沂蒙山腹地的學校駐地報到。報到的第二天就遭遇了日本軍數萬人的“鐵壁合圍”大掃蕩突襲，通過突圍戰斗的洗禮，蘇凡成長為一名真正的戰士。
永不改變！
魯迪·潘科,蘇妮特·瑪尼,托弗·格雷斯,約翰·雷諾茲,扎克·切利,帕蒂·哈里森,瑪麗亞·泰耶爾,索菲亞·布萊克-德埃利亞,安娜·蓋斯泰爾,史蒂夫·李特,約翰·厄爾利,喬·佩拉,卡門·克里斯托弗,加里·理查德森,艾登·梅耶里,杰基·克魯茲,比利·布萊克,瑞恩·莫諾洛普盧斯,羅伯塔·科林德雷斯,喬·費爾斯通影片講述了一群三十多歲的年輕人重返高中，參加畢業典禮的最后一場經歷。片頭語寫道：“2005年，一場災難性的龍卷風摧毀了北梅多斯高中一半的校園，導致這屆畢業生的畢業季被迫提前結束。如今，年過三十的他們被迫返回家鄉，一勞永逸地完成高中學業。舊情人、重逢的機會、隱藏的秘密，這些正是噩夢的真諦……”
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.