　　溫卡哈·南奈度，幼年喪父、母親改嫁，他和繼父以及同母異父弟弟難以相處，憤而離家。兒時(shí)一身反骨，特別崇拜《復(fù)仇的火焰》里面的頭號(hào)大惡棍賈巴爾·辛格，遂以此名號(hào)自居。長(zhǎng)大后，他成為公德威都城的警察局局長(zhǎng)，嫉惡如仇，除暴安良，威震四方。希達(dá)帕，當(dāng)?shù)亓髅ヮ^目，霸道蠻橫，為非作歹，氣焰囂張，妄圖將其魔爪伸向政治領(lǐng)域從而牟利。選舉前夕恰逢賈巴爾·辛格走馬上任，兩人互不相讓，明爭(zhēng)暗斗，血雨腥風(fēng)。巴亞拉希米，小鎮(zhèn)里美人一個(gè)，靠出賣手工藝品為生。賈巴爾·辛格對(duì)她一見鐘情，然后展開猛烈追求。但由于父親嗜酒如命，她決定只要父親在世她將不會(huì)結(jié)婚。

古畑任三郎公平的殺人者

田村正和,西村雅彥,鈴木一郎 Ichirō Suzuki

　　人氣極旺的名棒球手一郎（一郎飾）從美國(guó)回到日本，引起極大轟動(dòng)。古畑任三郎（田村正和飾）和今泉慎太郎（西村雅彥飾）都是一郎的粉絲，得知向島音吉（小林隆飾）在一郎的酒店擔(dān)任護(hù)衛(wèi)，二人纏著向島幫他們索要簽名，更令他們驚奇的是向島竟然是一郎的哥哥。可是臉上永遠(yuǎn)掛著笑臉的向島也有他的煩惱，長(zhǎng)久以來他一直被有著黑社會(huì)背景的男子郡山繁（今井朋彥飾）勒索，此番更要想法籌備1000萬日元。走頭無路的向島打算鋌而走險(xiǎn)殺掉對(duì)方，而與他感情篤深的一郎則要與哥哥共同進(jìn)行一場(chǎng)完美謀殺案。命案再起，精心策劃和布置的現(xiàn)場(chǎng)，古畑刑警最大的挑戰(zhàn)……　　本片為新春完結(jié)篇第二部。

互幫互助

黑木華,中村蒼,藤間爽子,安藤玉惠,近藤華,白鳥玉季,吉岡睦雄,松本利夫,升毅,西田尚美,田口智朗,風(fēng)吹淳,草笛光子

本片改編自同名小說，講述了主人公·梓失去了無可替代的摯友而止步不前，她不斷給已故好友發(fā)送信息，由此開始，意想不到的邂逅接連發(fā)生，形成了一個(gè)巨大的圈子…

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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古畑任三郎公平的殺人者