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爵士之王
保羅·惠特曼,約翰·博爾斯,勞拉·拉普蘭特,珍妮特·洛夫,格倫·特萊昂,William Kent,斯利姆·薩默維爾,The Rhythm Boys,凱瑟琳·克勞福德,卡拉·萊姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃爾特·布倫南,Churchill Ross,約翰·阿利奇,內(nèi)爾·歐黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克勞斯貝,杰克·富爾頓惡魔市場(chǎng)
Rana Audi Marissa,羅伊·松科諾,Michelle Tahalea我的野蠻同學(xué)
謝霆鋒,馮德倫,容祖兒,彭敬慈,鐘兆康,余家豪,吳志雄雙喜2025
劉冠廷,余香凝,楊貴媚,田啟文,庹宗華,湯毓綺,蔡凡熙,洪群鈞,晏柔中,梁皓嵐,林史恩,張馨比,劉品言,李國毅,陳淑芳,朱凱柏,林在培,檢場(chǎng),楊麗音,洪都拉斯,于子育,李之勤,梁綺翹,黃惠卿,江家賢,黃婕菲,吳繼高,陳以文,謝麗金,姜康哲,黃宣,吉岡里帆,楊樂多,游珈瑄,江澄瑄,阮鳳儀,林品彤,詹鏝璞,張心哲洗發(fā)水
沃倫·比蒂,朱莉·克里斯蒂,歌蒂·韓,李·格蘭特,杰克·沃登,托尼·比爾,喬治·菲爾特,杰伊·魯賓遜,盧安娜·安德斯,蘇珊娜·摩爾,凱麗·費(fèi)雪,Ann Weldon,Randy Scheer,Mike Olton,Richard E. Kalk,Ronald Dunas,Hal Buckley,杰克·伯納迪,威廉·卡斯?fàn)?布拉德·德克斯特小機(jī)械師
圖尼·阿福拉揚(yáng),阿約·奧貢希納,達(dá)約·阿金佩盧同類推薦
山谷女孩
尼古拉斯·凱奇,德博拉·福爾曼,伊麗莎白·戴利,邁克爾·鮑文,卡梅隆·戴,Heidi Holicker,Michelle Meyrink,Tina Theberge,李·珀塞爾,理查德·桑德斯,考林·加普,弗雷德里克·福瑞斯特,David Ensor,喬安娜·巴隆,托尼·普拉納,Tony Markes,克里斯托弗·墨菲,卡米爾·卡爾維,Laura Jacoby,喬斯·海瑟,斯蒂文·鮑爾,Prescott NilesJulie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends.
大地1937
保羅·穆尼,路易絲·賴納,沃爾特·康諾利,蒂莉·洛施,查利· 格雷普韋恩,杰茜·拉爾夫,楊秀,陸錫麒,羅蘭·郭,Suzanna Kim,李清華,Harold Huber,奧拉夫·許滕,William Law,黃柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·馬克斯,查爾斯·米德爾頓,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I改編自賽珍珠的普立茲獎(jiǎng)小說,是好萊塢在三十年代開始注意東方題材的代表性作品。影片雖是描寫中國農(nóng)村夫婦的悲劇故事,但主角均由美國人扮演,導(dǎo)演悉尼.弗蘭克林也采取西方古典電影的風(fēng)格來處理,在制作上相當(dāng)嚴(yán)謹(jǐn)認(rèn)真。劇情描寫保羅.茂尼與路易絲.萊娜本來是貧困的農(nóng)民,面對(duì)饑荒的威脅甚至以烤土充饑。后來茂尼得到了一筆財(cái)富,竟整天花天酒地迷戀情婦,萊娜只有發(fā)揮賢妻的耐性期待丈夫浪子回頭。今天看來類似故事已顯得老套,但本片的拍攝與特技表現(xiàn)杰出,路易絲.萊娜亦獲得奧斯卡最佳女主角獎(jiǎng)。
獄卒
拉吉尼坎塔,莫哈恩拉,西瓦·拉吉庫馬爾,杰奇·史洛夫,拉姆亞·克里希南,Vinayakan,特曼娜·芭蒂亞,蘇尼爾,Vasanth Ravi,約吉·巴布,基肖爾·庫馬爾·G·,Nagendra Babu,Jaffer Sadiq,G·馬里穆圖,Vtv GaneshA retired jailer goes on a manhunt to find his son's killers. But the road leads him to a familiar, albeit a bit darker place. Can he emerge from this complex situation successfully?
卡夫卡
杰瑞米·艾恩斯,泰莉莎·拉塞爾,喬爾·格雷,伊安·霍姆,杰羅恩·克拉比,阿明·繆勒-斯塔爾,亞歷克·吉尼斯,布萊恩·格洛弗,基思·艾倫,西蒙·邁克伯尼,羅伯特·弗萊明,揚(yáng)·卡拉米特魯,希爾德·凡·米根,簡恩內(nèi)米喬沃斯基,圖恩·阿赫特貝赫,Matyelok Gibbs,Maria Miles,Vladimír Gut,Emil Wolk,約瑟夫·阿布漢姆劇情簡介: 卡夫卡是二十世紀(jì)著名的存在主義大師,本片以他為男主角,但并非一部嚴(yán)肅的傳記片,只是以他年輕時(shí)的一段離奇遭遇,帶出了一部相當(dāng)別致政治驚險(xiǎn)片。當(dāng)時(shí),卡夫卡是保險(xiǎn)公司的一名小職員,雖已因出版《蛻變》一書而獲得好評(píng),卻仍孤僻內(nèi)向不跟同事來往。一天,唯一跟他來往密切的同事離奇落水死亡,其未婚妻無法接受警方是自殺的說法,乃找卡夫卡幫忙追查真相。由于他們兩人都是無政府主義革命分子,該組織乃要求卡夫卡也加入組織,并幫忙撰寫傳單,卡夫卡拒絕所求,被卷入漩渦的中心,令他發(fā)現(xiàn)了可怕的真相。以《性、謊言、錄影帶》崛起的導(dǎo)演史蒂文.索達(dá)伯格將氣氛拍得相當(dāng)緊湊迷離,男主角杰瑞米.艾恩斯亦表演出色,將一個(gè)妄想狂的內(nèi)心世界巧妙地呈現(xiàn)。
嗨,媽媽!
羅伯特·德尼羅,查爾斯·德恩,詹妮弗·紹特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment