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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
星球大戰：曼達洛人與古古
佩德羅·帕斯卡,杰瑞米·艾倫·懷特,西格妮·韋弗,史蒂夫·布盧姆,馬丁·斯科塞斯,赫米基·馬德拉,馬修·維利希,喬尼·科因,邁爾斯·哈姆帕斯,倫敦·斯塔布爾菲爾德,克里斯托弗·艾倫·羅賓遜,波西亞·D·哈里斯,埃文·沙夫蘭在秩序動蕩的銀河系，“最強奶爸”丁·賈倫與“銀河系萌娃”古古這對非血緣父子并肩登場。冷峻堅毅的賞金獵人丁·賈倫身披貝斯卡鋼甲，憑悍勇戰力屢屢從圍堵中突圍；看似弱小的原力學徒古古，則總能在關鍵時刻爆發出驚人戰力，為搭檔化解危機。他們一同執行關乎銀河命運的絕密任務，直面遠比以往更為兇險的挑戰與博弈。
鼴鼠之歌2：香港狂騷曲
生田斗真,永山瑛太,本田翼,古田新太,菜菜緒,上地雄輔,仲里依紗,堤真一,吹越滿,遠藤憲一,皆川猿時,巖城滉一,久松郁實故事緊接著上一部展開。菊川玲二（生田斗真 飾）接受了上級布置的新任務——接近并取得黑社會頭目轟周寶（巖城滉一 飾）的信任，找到后者犯罪的證據。一場意外的發生讓玲二得到了進入轟周寶家中做他的貼身保鏢的機會，在那里，玲二見到了老大的女兒轟迦蓮（本田翼 飾），蓮表面看來是一個單純善良的女學生，實際上卻是十足的混混。在迦蓮的百般誘惑下，玲二能否守住對戀人純奈（仲里依紗 飾）的忠誠？ 新上任的督察兜真矢（瑛太 飾）調動各方警力步步緊逼追蹤著玲二的下落。與此同時，迦蓮遭到了轟周寶的死對頭櫻罵百治（古田新太 飾）的綁架，被送往了地下人口拍賣會淪為商品。
陰陽師2
野村萬齋,深田恭子,中井貴一,伊藤英明,市原隼人平安時代，百鬼夜行，封鬼儀式正在右大臣藤原安麻呂府邸進行。安麻呂之女日美子（深田恭子 飾）戎裝登場，一箭命中靶心，引來全場驚嘆。這位被喻為“連鬼都不敢接近”的公主，卻令源博雅（伊藤英明 飾）暗自傾心。天現異象，京都騷動，魍魎橫行。平安京已有四人遇害，民間出現驅鬼術士幻角（中井貴一 飾），日美子亦在異象后開始夢游。博雅為此替右大臣來請安倍晴明（野村萬齋 飾）商談。與此同時，宮廷供奉的出云三神器之一草薙劍也出現了異動。晴明受天皇所托，與博雅開始調查種種異況背后出云與大和的隱秘淵源。 博雅和夜彈琵琶的神秘少年須佐（市原隼人 飾）相識為樂友，須佐負傷被日美子所救，三人在右大臣府邸相逢。同一時刻，右大臣主動找到晴明，坦白了十八年前天現異象時，大和攻打出云的事實…… 本片為電影《陰陽師》續作。
謀殺召喚
瑪格麗特·魯斯福德,William MervynMarple is extremely proud when she is appointed to the board of trustees of a merchant marine training vessel whose mission is to rehabilitate young criminals. As in all of her endeavors, Miss Marple intends to take an active role in the job and even shows up to the board meeting dressed in naval blues. When a fellow trustee is poisoned just prior to his making some kind of revelation, Miss Marple decides to use her position to spend time on the ship. This upsets the vessel's fragile social network as she dispossesses blustering Captain Rhumstone from his quarters. When two ship's officers are later found murdered also, Miss Marple enlists help from her friend Jim Stringer and Inspector Craddock to expose the murderer.
心泉
高英,歐陽儒秋,畢鑒昌,張磊,賈林菁,楊曉寧,趙文圻,吳兆蘭,馬勁波,張士玲,趙靜,何有才暑假里，苗族小朋友卡里應邀到荔江市城西小學學生蒙小民家做客。一天，他們和鄰居女孩小藝一起到青石山采集昆蟲標本。卡里制作出一幅精美的昆蟲標本，其中包括一種很有研究價值的大突肩瓢蟲。城西小學的邱老師對這個標本十分贊賞，小民的奶奶為炫耀孫子，就把制作這個標本的功榮全歸于小民了。標本在假期學科學活動展覽會上引起昆蟲學家嚴教授的極大興趣，便與邱老師一同訪問小民。小民毫無準備，難以對答，在奶奶的誘導之下，他才編出一套謊話，得以解脫。由于這個標本，小民又獲得全市暑假學科學活動展品一等獎。小民的母親溫瑩對兒子的行為很氣憤，又怕事情敗露而損傷孩子的自尊心，所以一面狠狠批評小民，一面囑咐小藝為小民隱瞞真情。奶奶出于對孫子的溺愛，也懇求卡里為小民保守秘密。小藝不自覺地向邱老師泄露了真情，當邱老師找卡里證實時，卡里為了朋友，竟矢口否認自己去過青石山，溫瑩意識到這樣處理問題已引起惡果，使孩子們純潔的心靈受到污染，想到丈夫蒙玉民在運動中就是因為拒絕說謊而被打致殘，她深感內疚，決定去學校說明真相。這時，小藝隱瞞實情的行為，也被她的母親林琴察覺。林琴憂心忡忡地向溫瑩傾吐了自己的擔憂。正直的溫瑩再也忍受不住良心的譴責，到學校要求撤銷對小民的獎勵。不料，校長鄧均正是在運動中曾威逼誣陷過蒙玉民的那個人。鄧均剛剛上任，害怕這樣做會給自己造成被動。他把這歸結為"難以抗衡的社會風氣"。溫瑩無力反駁，又退卻了。小民的錯誤不 但未改，反而進一步發展了。他把小藝拾到的口琴占為已有，而這正是蒙玉民丟失的、準備送給兒子的禮物。蒙玉民為此十分生氣，又得知小民獲獎的真情，于是與妻子鬧翻了。溫瑩體會到遷就孩子錯誤所造成的惡果，領悟到改變這種不正之風的重要和自己應盡的責任。后來，卡里向邱老師承認自己說謊的錯誤，小民由于畏懼離家出走，在火車站遇到嚴教授，被嚴教授帶回自己家里。嚴教授耐心的啟發和教育，終使小民覺悟，決心痛改前非。小民回到家中，事情真相都已大白，這卻使鄧均十分尷尬。不久，小民、卡里和小藝又結伴重返青石山，他們以自己辛勤的勞動，共同獲得了名符其實的一等獎。