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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛·萊爾,邁克爾·伯恩,羅尼·福克斯,帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里故事發生在一間專門面向歌劇退休演員開放的養老院里，維爾福（比利·康諾利 Billy Connolly 飾）、雷吉（湯姆·康特奈 Tom Courtenay 飾）和茜茜（寶林·科林斯 Pauline Collins 飾）是那里的明星居民。每一年，這三個出色的演唱者都會通過他們的三重唱向社會募集資金，用以維持養老院的運作。雖然養老院的規模不大，但每一個老人都能在那里找到快樂和安寧。 簡（瑪吉·史密斯 Maggie Smith 飾）的出現打破了眾人寧靜的生活，這個高傲又好斗的女人是歌劇界名聲大噪的歌唱家，同時，她還是雷吉的前妻。受生活所迫，簡不得已住進了這間養老院，前夫雷吉的存在更是讓她心中憤憤不平。由于簡的加入，三重唱變成了四重唱，但排練的效果并沒有因為一個得力唱匠的加入而有所提高，麻煩和爭執接踵而至。
二龍湖浩哥之風云再起
張浩,張廈,張贏,鄭胖,晉松浩哥因欠了趙地主的糧食還不上遭到威脅，不得已帶著三個兄弟到日軍倉庫偷了軍糧。趙地主認得是日本軍糧不敢收，土匪孫大腦袋心眼多不想買，浩哥只好拿回家吃，他的相好小寡婦發現是日本軍糧后勸說浩哥歸還。時機不巧，日本人已經因為丟糧加強戒備，而原路返回時袋子漏米撒了一路，日本人天亮后順著痕跡找來將幾人綁走。在刑場，浩哥遇見效仿他們偷軍糧被抓的孫二。正當幾人人要被日軍處決時，國際記者正好路過，浩哥不但陰差陽錯逃過一劫，還當上了中日友好督察隊隊長。一邊的孫二就沒有這個好命，被日本人偷偷槍斃。風生水起的浩哥轉眼被扣上漢奸走狗的惡名，被全村人唾罵。浩哥意識到自己被所謂“中日友好”的幌子耍了，已經和全村人形同陌路。他一怒之下聯手孫大腦袋手刃日本小隊長，給孫二報仇，也扭轉了名聲。日本人火了，直接屠了二龍湖村。浩哥帶著兄弟們與日本人進行了慘烈的殊死搏斗。最終，浩哥在日軍倉庫與日本大隊長同歸于盡。
起跳
拉吉·庫瑪,努西拉特·巴努查,穆罕默德·齊尚·艾布,Vishal Ajmaria,Akash,伊拉·阿倫,Anmol Bajaj,Anvita Bhargavva,Anil Chaudhary,Tanishq Chaudhary,Gourav Chiller,Vaibhav Choudhary,Ajay Dalal,Deedakk Dalal,Himanshu DalalThe film is a unique social comedy based in a small town of Uttar Pradesh directed by Hansal Mehta.
陰陽路7：撞到正
古天樂,雷宇揚,李蕙敏,陳松伶,黎耀祥,吳志雄,羅冠蘭,施念慈,羅蘭當紅女歌星（李惠敏飾）隨劇組到一荒涼小島上為新歌的MV拍攝取景，坐在船中休息時總覺得水中有異物。 小島上住著為數不多的幾戶居民，民風淳樸卻也相當愚昧。 隨著拍攝進程的不斷，劇組內開始怪事不斷。劇組人員周圍總會突然莫名出現一奇怪的黑衣男子（古天樂飾）不斷打探“阿瑩”的下落。與此同時，荒山野嶺內常有一長發怪人身影出沒，嚎叫不斷，讓人毛骨悚然。 一日，女歌星與導演再次撞到黑衣男子，大膽詢問之下，男子道出了島上的一段往事...... 本片宣稱沒有黑夜的鬼片，所有外景都是在白天完成，有其獨特之處。
土耳其語入門
約瑟芬·普羅伊斯,埃利亞斯·穆巴里克,安娜·思迪布里克,阿德南·馬拉爾,Pegah Ferydoni,Arnel Taci,Katharina Kaali,尼克·羅密歐·黎曼,弗雷德里克·勞,桑雅·杰哈特,卡蒂婭·里曼,君特·考夫曼,Pierre Koumou-Okandze,尤金·鮑德爾,Lili Buhren影片改編自2006開始播出的德國熱門連續劇，講述一名德國女人與一名土耳其裔的警察同居，兩人分別帶有一兒一女組成了混亂熱鬧的大家庭。該劇風趣幽默，又不乏感人動情的時刻，播出后反響強烈，收視率頗高。2012年德國電影出版業巨頭 Constantin將其搬上大銀幕，仍然啟用原版演員人馬。在劇中出演女方女兒的德國演員約瑟芬·普羅伊斯和出演男方兒子土耳其裔南星埃利亞斯·穆巴里克有著極高的人氣，兩人從最初的歡喜冤家發展成一對戀人，電影版主要參圍繞他們的故事展開。2012年3月上映后，《土耳其入門》取得了極佳的票房，總成績2100萬美元，是當年上半年的德國本土片票房冠軍。
美國暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾致力于研究暴力行為根源的世界著名心理學家阿曼達·泰勒博士，有一個訪談和評估死囚杰克遜·謝伊的良機，隨著訪談的開始，決定杰克命運的天平失去了平衡，阿曼達必須決定是否應該允許執行死刑！