食母:墨菲定律

0.5 播放:10萬 更新:2026-08-08
主演: Doyun/Min/

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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  巴黎13區的四位年輕的成年人Emilie、Camille、Nora、Amber,他們是好友,有時也是戀人,并且經常兩者結是。四位主演分別為露西·張/Lucie Zhang、馬吉塔·桑巴/Makita Samba([貴族動物])、珍妮·貝絲([不可能的愛])、諾米·梅蘭特。  影片改編自《紐約客》漫畫家Adrian Tomine的圖文短片小說集《殺戮與死亡(Killing and Dying)》,歐迪亞與[艾娃]導演蕾雅·梅西斯、[燃燒女子的肖像]導演瑟琳·席安瑪共同撰寫了本片劇本。幕后團隊包括:攝影師保羅·圭哈姆([艾娃])、音樂總監Pierre-Marie Dru([我失去了身體]、[安妮特])。  Playtime負責影片國際銷售,Memento負責該片法國發行。影片目前已進入到拍攝第二周,計劃最早于2021年春季發行。

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基里安·墨菲,杰伊·利庫戈,崔茜·尤瑪,小西姆茲,艾米麗·沃森,羅杰·阿拉姆,魯比·阿什伯恩·瑟金斯,本·勞埃德-休斯,道格·麥克梅金,優素?!P爾科爾,馬庫斯·加維,普莉安卡·伯福德,Charles Beaven,阿拉洛因·奧舒雷米,Joshua J Parker,Tom Moya,圖特·紐奧特,George Fouracres,Archie Fisher,Luke Ayres

  20世紀90年代中期,史蒂夫(基里安·墨菲 飾)是英格蘭一所專門收治有社會適應障礙和行為問題的學校的校長。他努力讓學生們服從管束,并和自己不斷加劇的心理健康問題作斗爭。與此同時,問題學生Shy(杰伊·利庫戈 飾)也在脆弱與暴力沖動之間艱難尋路,努力與自己的內心達成和解。

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