忘記我是誰(shuí)

7.3 播放:44萬(wàn) 2026-08-08
主演: Jean-Pierre/Limosin/

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路易·C·K:荒謬到笑

路易·C·K

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英國(guó)佬來(lái)了

愛(ài)麗絲·伊芙,索菲婭·維加拉,克里斯平·格洛弗,烏瑪·瑟曼,阿什利·威廉姆斯,李美琪,蒂姆·羅斯,帕克·波西,斯蒂芬·弗雷,梅麗莎·蘇·安德森,莎朗·摩翰,道格·海利,威爾莫·卡德隆,梅林達(dá)·希爾,杰夫·博斯利

  烏瑪·瑟曼主演喜劇片《英國(guó)佬來(lái)了》,故事講述一對(duì)古怪的英國(guó)夫婦計(jì)劃去洛杉磯盜竊珠寶。導(dǎo)演詹姆斯·奧克利將于今年7月開(kāi)拍本片。

斗牛士1986

阿松波塔·塞爾納,安東尼奧·班德拉斯,納喬·馬丁內(nèi)斯,伊娃·柯博,胡麗葉塔·塞拉諾,丘斯·蘭普雷亞維,卡門(mén)·毛拉,歐塞維奧·龐塞拉,比維安·費(fèi)爾南德斯,路易斯·西赫斯,艾娃·希瓦,貝羅尼卡·福爾克,弗朗西絲卡·普蘭迪,海梅·查瓦里,阿古斯丁·阿莫多瓦,Pepa Merino,Angie Gray,Lola Peno,Jesús Ruyman

  馬德里的斗牛教師迭戈(Nacho Martínez 飾)有戀尸癖好,他的女友艾娃住在自己學(xué)生安吉爾(Antonio Banderas 飾)隔壁,這天安吉爾被迭戈斥責(zé)后偷窺、跟蹤并最后強(qiáng)奸了艾娃。安吉爾次日到警局自首,但艾娃并不打算起訴,安吉爾隨即承認(rèn)自己是四起殺人案的兇手。一位名叫瑪莉亞的女人出面為安吉爾辯護(hù),而她實(shí)際上是真正的兇手,瑪莉亞瘋狂迷戀昔日的斗牛士迭戈,癡迷于使用殺牛的手法刺死和自己交歡的男人,迭戈與瑪莉亞相遇,發(fā)現(xiàn)對(duì)方多年來(lái)對(duì)自己瘋狂的愛(ài)意。安吉爾努力向警方證明自己殺人,迭戈把瑪莉亞行兇的簪子也扔在安吉爾的儲(chǔ)物柜里,安吉爾利用自己能看到迭戈與瑪莉亞兩人所思所想的能力,向警方透露了更多證據(jù),但是警方仍不能相信這個(gè)有暈血癥的年輕人會(huì)殺人,這時(shí)艾娃帶著偷聽(tīng)來(lái)的事實(shí)真相趕到了警局……  本片獲1987年葡萄牙奇幻電影節(jié)國(guó)際幻想電影獎(jiǎng)等多項(xiàng)褒獎(jiǎng)。

從今天到明天

  Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

阿拉貝拉的綁架

克里斯·派恩,貝內(nèi)黛塔·波爾卡羅利,Lucrezia Guglielmino,米盧廷·達(dá)普切維奇,Eva Robin's,Marco Bonadei,Morgan Nonni,朱塞佩·梅西納

一位名叫霍莉的意大利女子一直堅(jiān)信自己是錯(cuò)誤的版本,直到遇見(jiàn)一位改變了她看法的7歲女孩。

獨(dú)裁者2012

薩莎·拜倫·科恩,安娜·法瑞絲,本·金斯利

某國(guó)殘暴的獨(dú)裁者(薩莎·拜倫·科恩飾)來(lái)到美國(guó)紐約參加一個(gè)聯(lián)合國(guó)會(huì)議,結(jié)果發(fā)現(xiàn)自己不在國(guó)內(nèi)的時(shí)候被二號(hào)人物頂替--這個(gè)獨(dú)裁者一直信任的哥們外形像個(gè)牧羊人。流落紐約有家難回的獨(dú)裁者偶遇了漂亮的有機(jī)食物店店主(安娜·法瑞絲飾),她讓他對(duì)壓迫、對(duì)自己的生活道路都有了新的認(rèn)識(shí)。