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九龍挎刀去白馬
羅立群,黃濤紅色火箭
西蒙·雷克斯,布麗·埃爾羅德,布倫達·戴斯,蘇贊娜·桑,鄒時擎,布里特妮·羅德里格斯,朱迪·希爾,伊桑·達伯恩,卡倫·卡拉古利安,蘇菲,Vickie Pearce,Bashir Abboud,Kevin Cavanaugh,Caressa Garza,Marlon Lambert,Melary Jones,Najeeb Hassan,Leigh Ann Welch,Debra Johnson戰地之星
蓋克,季平,馮恩鶴,孫繼堂,張珊,邢濟舟,劉利年,鄭在石,柳陸童,王繼和,沈學忠,胡勵生,徐亞洲加美拉對大惡獸吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,濱田優子,船越英二狼跡
艾麗婭,趙國華,潘鶴翔,劉麗軍,劉燕城,王琛,才寧,左翔,李玉澤,潘瑩,張鳳翔,叢連生火車司機日記
拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內勒維奇,尼娜·揚科維奇,達妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克同類推薦
兇宅怪談2
渡邊翔太,畑芽育,吉田鋼太郎影片改編自松原田螺撰寫的同名暢銷書,講述松原田螺居住兇宅的真實經歷,先導預告中也展現了他居住過的一些房子的景象。
愛上費加羅
喬安娜·拉姆利,加里·劉易斯,沙扎德·拉蒂夫,丹妮爾·麥克唐納,休·斯金納,瑞貝卡·本森,Jo Cameron Brown,Alasdair Braxton,Margaret Fraser,Vanessa Borrini,Bhav Joshi,Emily Mwila,Andrew J. Carter喬安娜·林莉和丹妮爾·麥克唐納(《難以置信》)主演,本·列文(《親密治療》)執導,講述麥克唐納飾演的基金經理離開了無法給她滿足感的工作和交往已久的男朋友,去追尋自己的畢生夢想:唱歌劇。林莉飾演的前歌劇天后則成為了她讓人聞風喪膽的歌唱老師。片中將有《塞維利亞的理發師》《費加羅的婚禮》《唐璜》《羅密歐與朱麗葉》《茶花女》等歌劇中的音樂。 該片為澳大利亞-英國合拍,已經拍完在后期制作中,會在本屆戛納電影節線上市場賣片。
小淘氣
Travis Tedford,Bug Hall,Brittany Ashton Holmes樂翻天的美國爆笑兒童喜劇,里面的小演員和那只狗狗的都激萌激萌的不要不要的。講述的是幾個男孩都想追求女孩達娜,在他們之間發生的各種糾結趣事,就是兒童世界的為了愛情,與兄弟們反目。央視曾引進過。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
夢鄉2019
芬恩·科爾,瑪格特·羅比,崔維斯·費米爾,凱瑞·康頓,達比·坎普,羅拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·貝里,加內特·赫德蘭,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保羅·布特,埃布·羅提么,雅各布·布朗,弗蘭西斯·李·麥克凱恩,布魯斯·麥金托什這部新片名為《夢鄉》(Dreamland),由曾在圣丹斯電影節摘得評審團特別獎的導演Miles Joris-Peyrafitte執導。故事背景設定在20世紀30年代的美國,經濟蕭條和沙塵暴肆虐著美國的普通百姓,一個15歲的男孩為了高額的賞金開始漫漫追捕路,他的目標正是瑪歌特·羅比飾演的女劫匪。