脫光肉感妹，玩轉(zhuǎn)極樂(lè)王游戲

　　Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

　　鯤鵬大陸，是一個(gè)無(wú)神無(wú)妖的地界，小七，托了自己師父的福，穿越過(guò)去落在王爺北宮 炎的床頂…… 女主小七意外在古董市場(chǎng)認(rèn)了一個(gè)師父，被師父算計(jì)穿越到了鯤鵬大陸，以‘貓身’落 在北宮炎的床頂，后沾了北宮炎的血，恢復(fù)人形。起初，北宮炎帶著目的性的霸寵小七，慢慢的一顆心為她沉淪。 小七被北宮炎霸占之后，很是排斥，但北宮炎對(duì)小七悉心照顧，慢慢的小七感受到了溫暖，接受了北宮炎；小七得到的自由越來(lái)越多，于是她開(kāi)賭坊、建酒樓、籠絡(luò)人才搜集情報(bào)、 在鯤鵬大陸混的風(fēng)生水起；除此之外，南夜國(guó)的太子殿下南風(fēng)辰也對(duì)米小七產(chǎn)生了濃厚的興趣。南風(fēng)辰一襲紅衣傾天下，性格乖張，身后卻藏著巨大的陰謀......

這是三部曲的最后一部，故事圍繞著將自己奉獻(xiàn)給撒旦的妓女展開(kāi)。這部影片的內(nèi)容是極端而黑暗的，令人作嘔的情節(jié)屢屢出現(xiàn)，充斥著暴力，性，裸體，體液！一群女孩子和一個(gè)男人摳喉嚨催吐，然后吃掉嘔吐物，再吐出來(lái)……

　　2020：如此[insert dire adjective of choice here]的一年，就連《黑鏡》的創(chuàng)作團(tuán)隊(duì)也編不出這樣的故事，但這并不意味著他們沒(méi)有可發(fā)揮的余地。《再也不見(jiàn) 2020》是一部喜劇，回顧了這可怕的一年，也許一切尚未結(jié)束？在這部具有里程碑意義的紀(jì)錄片式特輯中，一些全球最著名的人物（虛構(gòu)）采訪結(jié)合過(guò)去 12 個(gè)月的真實(shí)影像，交匯成一部敘事合唱曲。