即刻觀影
劇情賞析
編輯推薦
螢之光 電影版
綾瀨遙,藤木直人,板谷由夏,安田顯,手越祐也,松雪泰子歷經(jīng)無數(shù)考驗與磨難，幾經(jīng)波瀾，“傻宮”雨宮螢（綾瀨遙 飾）終于和她最愛的百分百部長高野誠一（藤木直人 飾）修成正果，結(jié)為夫婦。新婚不久，夫妻二人相約前往羅馬蜜月旅行。可是傻宮的干物女能量大爆發(fā)，從夏天到冬天，二人的旅行始終沒有實現(xiàn)。借著部長去羅馬公干的機緣，傻宮終于踏出家門，和部長來到了這個因《羅馬假日》而為所有情侶所向往的浪漫勝地。在這里，他們還結(jié)識了超級干物女冴木莉央（松雪泰子 飾）和她的弟弟小優(yōu)（手越祐也 飾）。與此同時，針對日本商務人士的綁架案相繼發(fā)生，而部長也在某天意外失蹤。異國他鄉(xiāng)，傻宮如何找到失蹤的愛人？ 本片根據(jù)ひうらさとる的同名漫畫改編，為TV劇的電影版。
雙蛇之劍山伏魔傳
查杰,薛翔勻九幽之主作亂被許清師徒重傷逃脫。許清奉命尋其殘魂與女媧石，結(jié)識蛇妖白夢笙。九幽附身他人，吞噬女媧石及蛇妖功力大增。許清與白夢笙魂魄入九幽體內(nèi)，許清犧牲自己與其同歸于盡，殘魂封石。五十年后，師父助許清復生，與白夢笙重逢。
強迫男的一天
馬雷克·孔德拉特,雅尼娜·特拉奇克納,安德烈·格拉博夫斯基,Michal Koterski,Joanna Sienkiewicz,Monika Donner-Trelinska,亞歷山大·貝德納茨,茲比格涅夫·布奇科夫斯基,Dorota Chotecka,Maria Ciunelis,克里斯汀娜·楚布夫納,波澤納·里基爾,彼得·弗龍切夫斯基,安娜·戈爾諾斯塔伊,Joanna Jedrejek強迫男的一天
女警事業(yè)
艾德薇姬·芬妮齊,馬里奧·卡盧特魯托,Giuseppe Pambieri一個看門人的女兒，年輕貌美的吉安娜姑娘渴望加入警察隊伍，做一個她向往的女警…… 這時候正好有一個販毒案發(fā)生……
時空急轉(zhuǎn)彎3
讓·雷諾,克里斯蒂昂·克拉維埃,瑪麗-安娜·夏澤爾,穆里爾·羅賓繼上一集結(jié)尾，巫師發(fā)現(xiàn)給公爵的藥里少放了一味藥。這使緹波公爵和隨從安德烈被送到了1793年。此時正值法國大革命，而在這個時期，他們又意外碰到了和自己相貌相似的各自的后人，并發(fā)生了一系列啼笑皆非的故事。而結(jié)尾同樣出人意料……
活樹林
阿爾弗雷多·蘭達,亞力杭德拉·格雷皮,費爾南多·巴爾維德Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem: there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes Malvís/Fendetestas too seriously. This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy: the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods. The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene: from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. "El Bosque Animado" was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal "Amanece Que No Es Poco", and "Así En El Cielo Como En La Tierra". Those are movies so personal that stress the Spanish culture. The young directors should take note of films like "El Bosque Animado", instead of trying to be the new "enfant terrible" and imitating US worst cinema.