人妻游戲

昏神

邁克·C·曼寧,格里芬·弗里曼,瑞恩·平克斯頓,奧格斯·羅德,特里薩·納瓦羅

　　A group of young men dare a classmate to reach the porch of a legendary old house, said to be haunted by the thirteen victims of a family massacre. In hopes of making a viral video they arm him with a video camera to prove he was there or to capture him fleeing in terror before even reaching the house, as others have. When he doesn't return, the guys must go in to get him. Inside they discover the truth about the house, the fate of their friend and their own fate as well.

第三個被謀殺者

孔祥玉,甘雨洲,梁丹妮,劉冠雄,周麗娜,吳慈華,沈紅,江俊,陳光廷,白玫,任偉民,丁皓

 20世紀30年代，龍蛇混雜，暗潮涌動的上海灘，各方勢力纏斗角力，局勢動蕩不安。法租界內國民黨高級愛國將領楊鼎被人殺害，一時間在社會上引起巨大震動，民間強烈呼吁追查兇手。愛國警官方召（孔祥玉 飾）受命前往現場調查，誰知期間卻遭到警察局長丘爾康的百般阻撓，丘更在調查途中設下圈套加以陷害。丘妄圖將責任推到中國共產黨的身上，然而方召絕不肯就此罷休。經過不懈的偵查，他終于逼近了事件的真相，危機時刻更得到失散多年的妹妹方卉的救助。家國大義當前，忠義赤子面臨重大的挑戰和選擇……

回轉姻緣

弗洛倫絲·維多,蒙蒂·布盧,瑪麗·普雷沃斯特

　　故事發生在奧地利維也納，丘托克（阿道夫·門吉歐 Adolphe Menjou 飾）雖然迎娶了年輕美貌的妻子米琪（瑪麗·普雷沃斯特 Marie Prevost 飾），但他的婚姻生活卻并不幸福，因為米琪是一個水性楊花的女人，結婚沒多久就移情別戀了。米琪喜歡的是自己的好友夏洛特（Florence Vidor 飾）的丈夫弗蘭茨（蒙蒂·布盧 Monte Blue 飾），對他百般引誘，而丘托克決定將此作為提出離婚的絕佳契機，于是雇傭了私家偵探（哈利·邁耶斯 Harry Myers 飾）想要得到米琪出軌的證據。　　夏洛特當然明白米琪的狼子野心，于是對她處處提防，而因為米琪的介入，她和弗蘭茨之間的感情也漸漸出現了裂痕。終于，在一次激烈的爭吵后，弗蘭茨選擇了離家出走。

靈魂擺渡之風華絕代

于毅,岳麗娜,何花,楊昆,倪虹潔,劉智揚

 近日，由北京完美建信影視出品，倪虹潔特別出演的新劇《靈魂擺渡3》曝光了劇場版《風華絕代》的兩版預告。倪虹潔在劇中大膽挑戰了帶刺野玫瑰風格的角色。不僅身穿白裙微露大腿，還言語挑逗師傅，似是上演了一出禁忌戀情。而在另一版預告中，倪虹潔梳起“大背頭”，以男裝造型登場，眼尾輕挑、眼神迷離的野性風格“色誘”熒幕前的老司機。反差如此過大，網友強烈期倪虹潔上演的“雙面魅力”。有著口碑和點擊量雙好評的《靈魂擺渡》，時隔一年終于以完結篇的形式回歸熒屏。演員倪虹潔加盟《靈魂擺渡3》最受期待的劇場版《靈魂擺渡之風華絕代》，扮演了一位充滿神秘色彩，而又雌雄莫變的“野玫瑰”。

人生對抗賽

納彥塔拉,馬達范,悉塔爾特,米拉·杰斯敏,Kaali Venkat,Bhavy Vyas

　　Three people's worlds collide during a historic international cricket test match in Chennai which ultimately forces them to make life-changing difficult decisions.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

登月大計劃

斯嘉麗·約翰遜,查寧·塔圖姆,伍迪·哈里森,雷·羅馬諾,吉姆·拉什,安娜·加西亞,唐納德·伊萊斯·沃特金斯,諾亞·羅賓斯,克里斯蒂安·克萊門松,科林·伍德爾,尼克·迪倫堡,克里斯蒂安·祖伯爾,吉因·瓊斯,喬·克里斯特,斯蒂芬妮·庫爾特祖巴,科林·喬斯特,達瑞茲·沃斯基,恩杰瑪·威廉姆斯,彼得·雅各布森,勞倫·雷瓦爾德

　　舉世聞名的阿波羅計劃究竟是壯舉還是騙局？為完成人類首次登月任務，發射中心負責人柯爾（查寧·塔圖姆 Channing Tatum 飾）帶領團隊不斷處理登月火箭出現的各種問題。擔心無法登月的政客們，為確保最終能在太空競賽中占據優勢，暗中找到廣告狂人凱莉（斯嘉麗·約翰遜 Scarlett Johansson 飾），要求她秘密拍攝一段登月視頻作為Plan B。柯爾和凱莉將擦出怎樣的火花？政治陰謀之下，這對歡喜冤家又該如何實現最終的登月目標？