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趙百萬夢幻曲
許忠全,劉偉,梁天目不識丁的鄉鎮企業經理趙百萬望子成龍，用金錢買通雇員楊曉波替子求學，騙取文憑，引出一場姻緣錯位假婚真情的人間喜劇。
曼谷復仇夜
馬克·達卡斯考斯,Vanida Golten,Prinya Intachai,Michael S. New,小杉健,薩哈賈克·波斯安吉特,朱莉·康德拉,Shivam Pawa,Charlie Ruedpokanon,Alice Tantayanon,Chanwit Pittayanukit,Nate Earmratana一個名叫凱（馬克·達卡斯科斯）的殺手飛到曼谷，拿了把槍，叫了一輛出租車。他給了一個職業女司機一大筆錢讓他當他的通宵司機。但當她意識到凱在每一站都犯下殘忍的謀殺案時，就已經來不及離開了。與此同時，一名另類的警探（凱恩·科蘇吉）在更多的鮮血被灑出來之前競相破譯這一連串的謀殺案。
隔窗戀愛：咫尺相望
克拉拉·加勒,胡利奧·佩納Raquel and Ares are in a long-distance relationship. They finally reunite during summer on the landscapes of Costa Brava with their friends, Raquel and Ares begin to question whether their relationship can endure the test of time.
皇家師姐5中間人
楊麗菁,吳大維,江欣燕,羅烈,顧冠忠,呂頌賢當紅主持吳大維扮演一位正直的美籍華人海軍，樣貌和身材都甚具說服力。真一販賣美國情報的組織，其成員凡是暴露身份者均遭殺害。亞倫是其組織成員之一，他與大維同在美國海軍陸戰隊復役，只因亞倫遇劫身亡。與他有過接觸的人全被追殺，大維不甘被陷害，突圍而出找到在警局任職的表姐，他們結伴而行前往韓國直搗虎穴，與“上將”正面決斗。
摩根先生最后的愛
克蕾曼絲·波西,邁克爾·凱恩,吉蓮·安德森,賈斯汀·柯克,簡·亞歷山大,理查德·霍普美國老人摩根（邁克爾·凱恩 Michael Caine 飾）在妻子死后獨居巴黎，內心寂寞。在偶遇年輕而具有活力的女孩寶琳（克蕾曼絲·波西 Clémence Poésy 飾）后，摩根先生重新燃起了對生活的熱情。他和寶琳共同度過了一段短暫而珍貴的日子——這段美好的日子使他們改變了對生活的態度，亦使他們終生難忘。
余燼奪寶
塞繆爾·杰克遜,戴夫·巴蒂斯塔,歐嘉·柯瑞蘭寇,丹尼爾·伯哈特,克里斯托弗·海維尤,伊登·愛普斯坦,喬治·索納,菲爾·齊默爾曼,盧卡斯·弗拉斯,羅伯特·霍利克在一場巨大的太陽耀斑摧毀了地球東半球之后，一名大膽的尋寶者受雇前往歐洲去尋找《蒙娜麗莎》，卻發現這個世界更需要的是英雄，而非一幅畫。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster