即刻觀影
劇情賞析
編輯推薦
定時拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson某座住宅區(qū)，負(fù)責(zé)公寓內(nèi)各項維修事務(wù)的菲恩（Matt O'Leary 飾）和約瑟（George Finn 飾）是一對窮的叮當(dāng)響的好基友。某天菲恩的女友凱莉（Danielle Panabaker 飾）來到他們的住處，當(dāng)?shù)弥≡诟舯诘呢愊壬呀?jīng)很長時間沒走出房門時，凱莉自告奮勇上門查看，結(jié)果卻一臉錯愕地回到二人面前。原來貝先生早已不見蹤影，房間內(nèi)一面墻貼滿了以三個人為對象的拍立得照片，窗口則有一臺奇怪的機(jī)器正對著菲恩和約瑟的房間。不久后他們發(fā)現(xiàn)，那臺機(jī)器竟是可以拍攝到未來情景的照相機(jī)。他們發(fā)現(xiàn)了貝先生的尸體，然而因為照相機(jī)的原因秘藏了此事。 無意間擁有了窺視未來的手段，年輕人們的心不知不覺躁動起來……
靈雀密語
Lucie Léontiadis,Anton Souverbie-Giorgis,Marina Le Guennec,Yannick Jaulin,弗朗索瓦·馬爾圖雷特,Hélène Friren,Thierry Buenafuente,Roseline Guinet,Ciboulette本片以鄉(xiāng)村考古為背景，講述少女露西與母親卡羅琳重返家族故地時，意外揭開一段被歲月掩埋的親情謎團(tuán)。露西在兩只神秘靈雀的指引下，與好友化身“小偵探”，通過老宅殘片、褪色信件與家族舊物，逐步拼湊出曾祖母時代因戰(zhàn)亂而斷裂的情感紐帶。這部別致的定格動畫采用手工剪紙方式制作，創(chuàng)作團(tuán)隊用2000個紙偶和826個布景拍攝，堪稱完成了一項不可能的工作。片中既有細(xì)膩舒緩的情緒鋪陳，也不乏快速剪輯的驚險片段。導(dǎo)演安東尼·蘭席奧以一段層層遞進(jìn)的冒險旅程為載體，娓娓道來幾代人之間的情感牽絆，描繪出一部充滿詩意、幽默和溫情的動畫佳作。
讀書會2：下一章
黛安·基頓,簡·方達(dá),坎迪斯·伯根,瑪麗·斯汀伯根,安迪·加西亞,唐·約翰遜,格雷格·T·尼爾森,吉安卡羅·吉安尼尼,休·夸希,文森特·里奧特,喬瓦尼·埃斯波西托,吉皮耶羅·朱迪卡,維拉·德拉貢,烏戈·迪蓋羅,布萊斯·馬蒂內(nèi),弗朗西斯·塞爾皮科,羅伯特·施泰納第一部講述四個60多歲的老年閨蜜在讀了《五十度灰》后煥發(fā)第N春，陷入愛情的浪漫。這次故事設(shè)定在意大利，姐妹們一起展開一趟一生難忘的異國旅程。而當(dāng)事情偏離軌道并曝光秘密后，她們輕松的假期變成了千載難逢的冒險。
蝙蝠俠：大電影
Adam West,Lee Meriwether,Cesar Romero蝙蝠俠與羅賓突然收到一個情報，得悉一名大人物正身陷險境，他們正欲展開拯救行動。豈料這原來是小丑、貓女、企鵝、謎語人四名超級份子合作布下的局，他們打算利用儀器把全人類變做灰塵，繼而統(tǒng)治全世界！全人類的性命懸于一線，蝙蝠俠與羅賓決定伸張正義，儆惡懲奸，擊退壞份子。然而面對天下最聰明的四大壞蛋連手，要粉碎這計謀真是談何容易……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關(guān)秀媚,湯鎮(zhèn)業(yè),惠英紅,關(guān)海山該劇主要講述了古代傳奇女俠李四娘的一段經(jīng)歷。揮劍斷水,水更流,血濺四方,收刀看山,山在天,玉女情仇。 明嘉歷年間,從長白山到廣東參加武林大會的武林頂尖高手敖龍帶著師弟王虎,在客棧輕易擊敗“山西五虎”，得到暗中觀看的客棧老板娘李四娘的親膩，敖龍經(jīng)不起媚香軟骨、自投羅網(wǎng)的與李四娘一夜快活風(fēng)流......次日，敖龍帶領(lǐng)徒兒到玉女山莊找到莊主楊夫人報兩年前的 之仇，一翻驚心動魄的打斗后，最后師弟王虎感覺事有蹊蹺，即提出在武林大會中解決兩家的仇怨。 武林大會在盟主齊大俠的主持下進(jìn)行，敖龍此時并沒有在大會上提出與楊夫人的仇怨，使楊夫人頓感詫異。而有兩個為家中雞鴨偷搶的人來到武林大會要求解決，齊大俠頓時感到殺機(jī)重重一場武林浩劫可能即將到來。夜間晚宴，果然有人提出重選新盟主，武林群雄力推齊大俠連任，只有敖龍反對，導(dǎo)致所有人不歡而散，群雄聚宴，酒后的李四娘不惜肌膚相親、百般挑逗引誘少林大師，讓大師神魂顛倒......此舉恰被一道姑瞅到，頓然芳心蕩漾、意亂魂迷，大膽飛紙傳情約大師林中風(fēng)流......當(dāng)晚，敖龍與李四娘合謀用計在客棧將齊大俠害死，搶走“秘籍”，并嫁禍楊夫人。師弟王虎出于仁義，決心幫助楊夫人。楊夫人的老公楊充見王虎與自己老婆接角頻，頓起疑心，暗中監(jiān)視。恰恰王虎誤入閏房撞見在洗浴中的楊夫人......被楊充當(dāng)場遇到，楊充急火沖天，一氣之下挾女兒憤然離開山莊，那知半路被走火入魔的敖龍擒住。一場郊外的血腥混戰(zhàn)，讓本不平靜的江湖再掀風(fēng)云，武林的浩劫終于爆發(fā)了.........