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紅杏出墻1948
雷克斯·哈里森,琳達(dá)·達(dá)內(nèi)爾,魯?shù)稀ね呃?芭芭拉·勞倫斯,庫爾特·克羅伊格警察游戲
杰克·約翰遜,小達(dá)蒙·韋恩斯,羅伯·里格爾,妮娜·杜波夫,安迪·加西亞,詹姆斯·達(dá)西,科甘-邁克爾·凱,喬納森·拉舒沃,湯姆·馬迪羅沙,娜塔莎·賴格羅,麗貝卡·庫恩,約書亞·奧蒙德,布萊恩·歐爾利,杰夫·蔡斯瘋長(zhǎng)物語
尼克·弗羅斯特,果爾達(dá)·羅斯烏威爾,杰里米·斯威夫特,Priya-Rose Brookwell,簡(jiǎn)·霍洛克斯,蒂姆·麥克納尼,喬·威金森,凱瑟倫·德萊斯黛爾,費(fèi)塞友·阿金那德,艾倫·卡爾,莎朗·魯妮,桑吉弗·科赫利,Grant O'Rourke,Jordan Young,多米尼克·麥克勞克林,勞拉·蓋斯特,Suni La,Adam McNamara,Darran Lightbody,Jack Lightley瀕危物種
麗貝卡·羅梅恩,菲利普·文切斯特,伊莎貝爾·巴塞特,邁克爾·約翰斯頓,杰瑞·奧康奈爾,Chris Fisher,Brenda Ngeso,George Glenn Ouma,Aseem Sharma,Pritul Raithatha,Stephen Adogo,Danica Davis,Kirk Fonda,Isaac Naiganya,Matthew Owiti真愛如鐵
查德·康奈爾,戴維·卡梅倫,洛根·克里倫,Mimi Kuzyk,Tamara Gorski,Maxine Gibson Bruce,Sheila Campbell,Daryl Dorge,杰森·維什諾夫斯基,Andrea del Campo,John B. Lowe,Tyhr Trubiak,Darren Felbel,Erik Athavale,Joanne Rodriguez戀愛戲曲 請(qǐng)和我戀愛吧
深田恭子,椎名桔平,塚本高史,中村雅俊,清水美沙,西村雅彥,井上順同類推薦
青出于藍(lán)2025
索菲婭·莉莉絲,戴夫·巴蒂斯塔,鮑比·坎納瓦爾,凱特·德爾·卡斯蒂洛,杰克·尚皮永,托尼·達(dá)爾頓,布魯·德爾·巴里奧,印達(dá)·納瓦雷特,惠特尼·皮克,澤爾·亞當(dāng)斯DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.
影城噩夢(mèng)
朱莉·安德魯斯,威廉·霍爾登,馬里莎·貝倫森,拉里·哈格曼,羅伯特·勞吉亞,斯圖爾特·馬戈林,理查德·馬利根,羅伯特·普雷斯頓,克雷格·史蒂文斯,洛麗泰·斯威,羅伯特·沃恩,羅伯特·韋伯,謝利·溫特斯,珍妮弗·愛德華茲,羅姍娜·阿奎特菲利克斯(威廉·霍爾登 William Holden 飾)是一名電影制片人,他傾盡所有拍攝了高成本的影片《夜風(fēng)》,但首映式之后卻收獲了惡評(píng)如潮,不僅如此,他在片中擔(dān)任女主角的妻子(朱莉·安德魯斯 Julie Andrews 飾)亦離他而去,絕望之中,菲利克斯決定自我了斷。 幸運(yùn)的是,一個(gè)同事發(fā)現(xiàn)了菲利克斯的自殺念頭,救下了他,為了幫助菲利克斯走出抑郁,同事和制片商們?cè)诜评怂辜依锱e行了一場(chǎng)惹惱的派對(duì),在此過程中,菲利克斯被激發(fā)了靈感,決定拍一部色情片,并且依舊是請(qǐng)自己的妻子出演女主角,這回真的是背水一戰(zhàn)了。
倒數(shù)追擊
道夫·齊格勒 Dolph Ziggler,凱恩 Kane,凱瑟琳·伊莎貝爾WWE超級(jí)巨星道夫·齊格勒、凱恩領(lǐng)銜動(dòng)作大片,痛失愛子警員爭(zhēng)分奪秒,要在炸彈爆炸前抓獲嫌犯,拯救幼小人質(zhì)
俄狄浦濕
Gray-haired furniture retailer Paul Winkelmann still has his dinner cooked and his laundry done by his mother. He spends his evenings playing Scrabble with Mama's friends and discussing the role of women in society in his carnival club. When he meets psychologist Margarete Tietze, "Pussi" finally begins to rebel against his dominant mother.
從今天到明天
Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.