　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

金牌制作人

內森·連恩,馬修·布羅德里克,烏瑪·瑟曼,威爾·法瑞爾

　　本片依據1968年的同名電影及2001年的同名百老匯歌舞劇改編而成。會計師雷歐·布魯姆（馬修·布羅德里克 Matthew Broderick 飾）來到紐約百老匯最糟糕的制作人邁克斯（內森·連恩 Nathan Lane 飾）的辦公室為他處理帳務，無意中提及他可通過制作一部最失敗的歌舞劇來貪污兩百萬美元投資。邁克斯說服了一直懷有制作人之夢的雷歐與他一同制作這臺歌舞劇，他們采用了前納粹弗朗茲（威爾·法瑞爾 Will Ferrell 飾）的笑話劇本《希特勒的春天》，雇用了臭名昭著的同性戀導演羅杰（加里·畢什 Gary Beach 飾）及助手卡門（羅杰·巴特 Roger Bart 飾），并找到了一位毫無表演經驗的瑞士美女烏拉（烏瑪·瑟曼 Uma Thurman 飾）兼當秘書和女主角。可沒想到的是，這樣一部鐵定失敗的鬧劇竟意外大獲成功……　　本片被提名金球獎最佳歌舞劇及喜劇電影、最佳電影原創歌曲、最佳喜劇及歌舞劇男主角（內森·連恩）和最佳喜劇及歌舞劇男配角（威爾·法瑞爾），并獲格萊美獎最佳電影電視或其他視覺媒體原創歌曲獎提名。

李冰

胡慶士,毛燕華,游江雄,赫海泉,王敏宜,李媛媛,莊豐源,李連生,荏蓀,浦克,李頡,朱德喜,張奕,金淑元,許志余,惲玉純,陸建藝,張鐘熙,孫英白,胡琪,王曉正,盧廷蘭

戰國末期，李冰任蜀郡郡守，李夫人含淚送李冰和兒子二郎去治水。路上有一女子杜鵑為她哥哥王綴喊冤。李冰調查出王綴并非罪人，在法場救下王綴，并叫他與大家一起治水。華陽侯見李冰不吃他的一套，暗中陷害李冰。一次洪水，將李冰、王綴、二郎與杜鵑等人都沖走了，他們在一起勞動，二郎和杜鵑在勞動中相愛了。好景不長，二郎在抗洪中犧牲，李冰被皇帝撤職、王綴以死相報。李夫人深明大義，以自身做人質前往咸陽。李冰得知夫人病故，...

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