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加齊號的攻擊
拉納·達格巴提,凱·凱·門農,阿圖爾·庫爾卡尼1971年，印度與巴基斯坦之間在東巴解放戰爭之間的緊張局勢日益緊張，巴基斯坦海軍在一個高級秘密任務中計劃襲擊印度雄偉級航空母艦INS Vikrant，以控制孟加拉灣的水域 。 他們派出一流的潛艇PNS Ghazi(加齊號/勇士號)，但被印度潛艇INS Karanj（S21）攔截。 隨后發生水下攻擊。
DJ特工
文森特·卡塞爾,亞歷克西斯·曼蒂,洛拉·費爾潘,尼古拉·莫里,馬努·佩埃特,尼娜·澤姆,菲烈·卡特林,Mister V,帕納約蒂斯·帕斯科特,黛博拉·盧庫穆娜,Paul Mirabel,Kavinsky,Fabeille Tardy,Alice Moitié,Rachel DimezellWhen an intelligence agent offers a washed-up DJ the opportunity to take down his young rival, he sees it as a chance to return to the top with a banger.
男孩們跪下
Souad Arsane,Inas Chanti,勞伯娜·阿比達爾,Baya Kasmi,Farid Kadri,Mehdi Dahmane,Sidi Mejai,Younès Moktari,Elis GardioleYasmina的姐姐Rim雖然不在，但她卻和自己及姐姐的男友Salim與Majid一同來到了停車場。Rim對此一無所知，因為Yasmina向她極力隱瞞了一些事情。這些事情讓她難以啟齒、滿懷羞愧。一切都被Salim拍攝在一段視頻中，而這段視頻能給她帶來難以預料的后果。
鬼馬太空貓
根·貝里,桑迪·鄧肯,哈里·摩根,羅迪·麥克道爾,McLean Stevenson,杰西·懷特三名科學家幫助一只被困在地球上的外星貓科動物修復其受損的太空船，以便返回家園，但他們的努力受到無能的軍方官員和外國間諜的阻礙。 一個不明飛行物被困在地球上，被美國政府扣押。它的領航員是一只戴著項圈的貓，有著特殊的能力，包括讓貓與人類交流的能力，他躲過了當局的追捕，需要一個名叫弗蘭克的人的幫助，才能收回并修理他的船，以便回家。
擅長捉弄的高木同學電影版
永野芽郁,高橋文哉,鈴木仁,平祐奈,前田旺志郎,志田彩良,白鳥玉季,齋藤潤,江口洋介影片改編自山本崇一朗的同名漫畫，內容為兩名主角在10年后的原創故事，講述在兩人分別了10年后，高木同學（永野芽郁 飾）作為實習老師回到母校，而西片（高橋文哉 飾）在母校成為了體育老師，“擅長捉弄的高木同學”和“一直被捉弄的西片”的日常青春愛情故事再度開啟。一天，正在看動漫的西片接到了遠在巴黎的高木同學的電話，高木說自己在巴黎的學業已經完成了，接下來打算去一個夢寐以求的學校進修3周。西片以為高木無法第一時間歸國，非常失落，但是還是衷心祝福高木同學前程似錦。失落的西片第二天像往常一樣繼續著自己的工作，誰知就在這時，高木同學又以惡作劇的方式出現在自己面前！原來高木要去進修的學校，正是自己就職的學校！兩人重逢后，隨著很多甜蜜回憶的暴擊，輔助以新的惡作劇，西片、高木兩個相識多年并且打心底愛慕對方的人，終于勇敢正視自己的內心說出了愛的告白。
嗨，媽媽！
羅伯特·德尼羅,查爾斯·德恩,詹妮弗·紹特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment