　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

蒙特利爾，我的美人

陳沖,夏洛特·奧賓,埃米莉·科泰,John Xu,Pei Yao Xu,Anzhe Angelo Zhang

53歲華裔移民鳳霞（陳沖飾）在加拿大蒙特利爾已經生活了大半輩子，人生被“妻子、母親、移民”的身份牢牢捆綁：一段早已失去愛意的婚姻、需要照料的家庭、中西文化的夾縫，讓她活成了別人期待的樣子，也壓抑了真實的自我。直到她遇見充滿活力的年輕魁北克女孩卡米爾（夏洛特·奧賓飾），一段意外的親密關系喚醒了她埋藏多年的欲望與渴望。鳳霞被迫直面內心的渴望，在家庭責任與自我解放、傳統束縛與自由人生之間，做出艱難卻決絕的選擇，完成一場遲來的中年覺醒與自我救贖。

馬布里街頭小霸王：情竇初開

　　切蒂奶奶被曾是警察的惡棍綁架，提奇和巴布于是展開瘋狂大營救，還帶回一條珍貴的項鏈，并獻上一場音樂表演。

驚爆點

帕特里克·斯威茲,基努·里維斯,加里·布塞,羅莉·佩蒂,約翰·C·麥金雷,詹姆斯·勒格羅,John Philbin,Bojesse Christopher,Julian Reyes,Daniel Beer

　　約翰尼（基努·李維斯 Keanu Reeves 飾）是一名FBI探員，正在與老搭檔帕帕斯（加里·布塞 Gary Busey 飾）著手調查一系列銀行搶劫案。然而這個狡猾的犯罪團伙行事嚴謹精明，每次犯案均用多位前任總統的面具偽裝自己。約翰尼手上唯一的線索只是帕帕斯的推理：罪犯很可能是沖浪愛好者。為了盡快偵破此案，約翰尼決定到海灘學習沖浪以尋找線索，在此過程中，約翰尼結識了沖浪高手普提（帕特里克·斯威茲 Patrick Swayze 飾）和泰勒（羅莉·佩蒂 Lori Petty 飾），他被普提的思想魅力和領袖氣息所吸引，愛上了沖浪這項刺激的運動，并與一幫沖浪愛好者結下深厚友誼。然而，在種種相處的細節之中，約翰尼漸漸開始懷疑這幫優秀的朋友就是他要找的神秘團伙……

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